![]() The franchise already includes two sequels (1978’s Damien: Omen II and 1981’s The Final Conflict) and a 2006 remake, but this new film is set to take us back to the beginning in the form of a prequel. We’re getting a new entry to the canon of The Omen, 1976’s Richard Donner classic that starred Gregory Peck, Lee Remick, and David Warner, and gave the horror world the quintessential creepy kid, Damien the Antichrist. The trailer suggests more of the now-classic Blumhouse-style spooky sequences we’ve come to expect, and with what looks to be an impressive performance from young actress Pyper Braun, this should be a good time in the company of a creepy little bear. Jeff Wadlow is back in the director’s chair for Blumhouse after 2020’s Fantasy Island, and DeWanda Wise (Someone Great, Jurassic World Dominion), Tom Payne (The Walking Dead), and Betty Buckley (Carrie, Split) all star. As her behaviour becomes more and more concerning, the family realises Chauncey is much more than the stuffed toy they believed him to be. ![]() ![]() The story will revolve around a woman who moves back to her childhood home with her family, where her stepdaughter finds a cuddly bear named Chauncey that encourages her to play sinister games. Now, as anyone who’s seen 1991’s chaotic comedy Drop Dead Fred knows, these playful entities can be anything but innocent, but Blumhouse’s new offering will go one step further and plunge playtime screaming into real darkness. Imaginaryīlumhouse continue to roll out original horror narratives and with Imaginary, set to hit theaters in March, they’re taking on the supposed innocence of children’s imaginary friends. The menace of a creature called The Ash Man (played by modern monster master James Swanton) ramps things up a notch, and along with Puppet Master-esque appearances from tiny creepy creations this looks to promise something truly nightmarish. The superb Aisling Franciosi, known for her roles in Jennifer Kent’s The Nightingale and The Last Voyage of the Demeter, and Stella Gonet (Spencer, El Conde) star. In the film, directed and co-written by Robert Morgan in his feature debut, a stop-motion animator struggles to control her demons after the loss of her overbearing mother. Genre cinema has been employing its singular techniques for years, with everything from the Ray Harryhausen classics to Gremlins, Basket Case and The Evil Dead, and now we have a whole horror movie dedicated to just how unsettling stop-motion can be. There’s something uncanny about stop-motion animation that feels both real and unreal at the same time. We’re talking exorcists, vampires, aliens, murderous toys, the spirit world, reanimated corpses, devils and demons, and the most hideous examples of humanity. Franchise sequels continue to entice audiences elsewhere too, with new films coming out from home invasion hit The Strangers and killer clown vehicle Terrifier. But it’s not just the horror stalwarts hogging the box office, with fresh frights hitting the scene from debut directors in the shape of British supernatural horror Baghead, the animation-heavy shocker Stopmotion, ‘80s teen monster comedy Lisa Frankenstein, and the latest entry into the genre’s most enduring antichrist series The First Omen. Big names are back in the frame, with new films coming with Tim Burton’s Beetlejuice 2, Robert Eggers’ Nosferatu, Fede Álvarez’s Alien: Romulus, and Matt Bettinelli-Olpin and Tyler Gillett’s Abigail, as well as more from the Blumhouse stable with Imaginary and Speak No Evil out in March and September respectively.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |